Both libraries perfectly pinpoint the current club sound. These sounds are just straight up feedback and distortion. This Thing Rules Concert Flute sounds like an excellent player is right there in the room with you. Classy playing, classy sound; listen out for them in a movie soundtrack near you. Good sounding loops and very easy to handle — Arrangements can be built in minutes. Noizefield Indie Rock 3 is top-notch stuff. Whether you want a single guitar for a simple arrangement, or a rich bed of acoustic sounds for something more full-on, the library lets you build it easily and the sounds themselves are really very good.
These loops feel like authentic performances and, in particular, the drum and percussion parts feel very real. Upright Bass is well recorded, well played and represents a decent bang for your buck if you want a slice of genuine upright bass to build your next tune around. The quality of the recording is very good and this is matched by the quality of the playing. Action Cuts is very much up to date and the material here would work brilliantly in stylish action scenes or montages. If you like your rock with a slightly left-field edge, Grunge has plenty to inspire you.
Add your own top-notch vocal hooks and these tracks are ready to roll. Chart Hits sounds great. Nevertheless, if you need some thrash in your sample-library arsenal, this delivers full force. Beat Twang represents good value for money. True to the genre, the recording quality and the musicianship on display are absolutely first class. Country Loops is top-notch. I can advise this product all newcomers and professionals who want or have to achieve good results without diversion. Ueberschalls Urbanic Producer Pack 1 is a sample library which impresses with its high sound quality.
The material appears to be throughout inspirational and of high quality. Everything sounds inspired, upmarket and ready for production That said, Jazz Colors does contain some pretty cool backing tracks, so if you fancy something to blow over, this may well be your thing. It fits perfectly for styles like Schranz, Techno, Hardstyle and Trance and comes with the multifunctional Elastik player for Windows and Mac. A fruitful source of ideas for the pop hits of tomorrow! Those who do not want to program the famous wobble basses themselves or do not have the needed know-how will find plenty of material to give their tracks a contemporary sounding foundation.
Ultimately, Nightshift should appeal to composers in need of slickly polished grooves and licks for their own chilled productions. Seamless mix and match. Brilliant inspire feature can generate new combinations of loops. Elastik host is playable and encourages improvisation. Electronic Musician This is a shure shot for all fans of this style. Ambient Lines would be just the ticket if that is your musical field.
Sound On Sound The 3. These loops are perfect to touch up your song with a little bit zeitgeist or to quickly try some ideas before getting the hard work done to invent the genre completely new. Overall, Supreme Styles is yet another well? The sounds and playing quality are top notch, … the material is generally very tasty and rarely bland.
In particular, if songlayouts or movie and advertising music have to be made in a short time, this inspiring collection is recommended. This is definitely a specialized library—but Glam Rock accomplishes what it sets out to do, and then some. Yes, so you can make great score music with this product. But only if you can cope mentally with the sound Tricky grooves can even often times make you bounce your feet, but rather in the lounge area of the club.
It sounds terrific, anyway. This product provides a colorful composition that delivers a great basis for your own mixdowns. The samples seem sufficiently inspiring and fit well into existing arrangements or even carry them with an authentic groove. There is not a big line of alternatives that come close to this product.
And at the end the price is totally fair for this product. The high quality and powerful sound of the stylish sample collection also deserves great praise.
Ueberschall has managed to create something like a collection of snapshots in order to use typical jazz elements in productions. For musicians who compose music for trailers or who wish to add the necessary power of persuasion to a commercial, Score Elements is an ideal treasure trove. The quality of the sounds is throughout the whole library very high and should please even the most dicerning Amazona.
The material is excellent and … there is plenty here to interest media composers looking for some fresh inspiration.
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The offered material is maginative, produced in good quality and suitable for all kinds of interludes. For sound twiddlers this library is a wonderful box of gems. Because of the first class sound and the comprehensive ways to edit the material this library is a definite recommendation! Who is looking for a fast and good or very good way to reach his goal can not go wrong with investing ,- euro for Score FX 2. With a lot of love for details Marc Steinmeier produced 24 diversified themes that convince through good ideas and a good quality in sounds.
The sound of this loop library is very high quality. The library was made for the original berlin club-sound. Thanks to the Elastik-Engine it is flexible to use. Future Music If writing music for film and TV is what you do or want to do, this is well worth a look. Music Tech Magazine What it does, it does very well, providing a style of sound montage that is currently very much in demand in certain types of media. The content is highly original for a sample library and incredibly versatile. Virtually every sound in Score FX promises to give your tracks a distinctive edge.
This library is from good quality through and through. The flexibility, and the sheer quantity of material provided, certainly means the Electrolines gives you a decent bang for your buck. You can most likely use the same synth to create your melody sound or sample. Either browse the pre-made patches or start tweaking to get the sound you're thinking of. Hum it out before you start recording. Figure out the notes using your piano, keyboard, guitar, or any other instrument you'd like to write music on and record the idea.
While dubstep doesn't layer sounds to the extent of some other genres, it may be a good idea to add extra layers over your melody. Even if they mimic other patterns very closely, you will be able to add layers as you get closer to the drop, creating excitement. Break it down. A must-do in any attempt at a classic dubstep track is what is affectionately known as the "drop.
Go wild. This is basically a digital, machine-like guitar solo that gets people on the dance floor going crazy. Build up to the drop and play tricks on people by dropping it in an unexpected place or by adding an extra beat here or an extra wobble there. One of the cool things about dubstep is keeping the beat kind of loose and unexpected.
It stays on beat but never lands in the same place every time, keeping the beat evolving and exciting.
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Be creative. Recreate what you hear in your head. Sometimes what you stumble upon while trying to recreate what you hear in your head can actually be better, so feel free to run with it if it sounds good, even if it wasn't your original idea. If the idea was that great, it'll come back to you. Maximize it. Have a professional mix the track it's well worth the dough or go the quick and easy route - add a maximizer to compress and boost all the levels. You'll achieve a more radio-friendly volume.
Part 3 Quiz True or False: A classic dubstep song should have a drop. True Correct! False Nope! You could upload them to music labels or you could upload them to sites like YouTube or SoundCloud. Yes No. Not Helpful 0 Helpful Not Helpful 3 Helpful Not Helpful 5 Helpful I don't want to use any packs, but rather create all the noises by myself. Can somebody tell me how I can make dubstep noises without a sample pack?
Sound design is a pretty complex process. It takes a lot of practice and time in order to achieve something reasonable. There are stock synths in all music production software, you can watch tutorials on how to create sounds and play around with the buttons and knobs until you get the hang of it. Connect with other producers and sound designers, chat with them and ask for help; the electronic community is usually very friendly. Not Helpful 0 Helpful 1. Of course, you can! I used it when I was still learning and it made things much easier.
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Not Helpful 1 Helpful 1. Yes, it's much better to work with a friend than by yourself. While maintaining the same vision, you'll both add your unique perspectives. Personally, FL It's easy to use and has more usability than other DAWs. Not Helpful 0 Helpful 0. Include your email address to get a message when this question is answered. Already answered Not a question Bad question Other. By using this service, some information may be shared with YouTube. Tips Don't be afraid to fail. Dubstep is still somewhat undefined and uncharted.
Many dubstep tracks experiment on the outskirts of the electronic realm. Many dubstep fans just want to dance, hear a memorable tune, and get a good fix of something new. A brand new digital sound. Put it on YouTube. There are many people out there just looking for the next big dubstep track. Tag it with "dubstep" and whatever artist it is alike to. You'll get hits and more feedback. A fun thing to do is to look for a movie quote to insert before the bass drop.
Learn how to mix. A professional mixing engineer is basically going to use hardware versions of all the tools you have at your own disposal. The knowledge is on the internet, you've just got to look for it and practice it. Most dubstep artists mix as they go, at least some of it. For instance, most EQ the drums and bass so that they both fit together. There's nothing worse than spending a week on a song, waiting til the end to mix it, and finding out that all your wobbles are in the same frequency range as your kick drum And if you learn to mix yourself, you'll open up a lot more options when it comes to creating unique sounds.
Plus you won't have to pay someone else to do it, which means you can invest that money back into the studio. Be modest with the bass levels. Deep bass lines can drown out the melody and muddy the track if you're not careful. Simplify it if can be.
If you're not playing this in clubs you'll be giving it to your friends to listen to on their iPods through ear phones with little bass frequency response. If you mix it correctly, you can use plugins that maximize the bass' harmonics so that it appears loud and deep on systems that cannot produce those notes. Google "Waves MaxxBass" Whatever part gets created next will differ from track to track depending on your inspiration, but it's always safe to hum out either a bassline or melody line to start with. Compare your work with other tracks.
Play back your track after listening to a dubstep track and compare the structure order , mix, volume, and most importantly, the mood. You want hipsters to gather in tight crowds and sweat in syncopation to the sound of digitized machinery and sonic booms.
Set THAT mood. Show it to a friend and be open to trying ideas they suggest, especially minor ones. Oder hab ich was vergessen einzustellen? Eiegtnlich sollte er das nicht tun… Wir gucken uns das nochmal an. Ansonsten kannst du dich bei Problemen mit der App auch gern an fluxmusic fluxfm. Dieser Klassik-Stream ist ja mal sehr genial. Liebevoll ausgesucht und kuratiert: Vielen Dank und weiter so! Beim Klubradio wird leider nicht der Name der laufenden Mixe angezeigt.
Hallo Schla, eigentlich sollte bei den Mixen immer der Artist und Klub dabei stehen. Wir checken gerade, was da heute Morgen los war. Insofern nicht nutzbar. Gruss memu. Hey Memu! Wir haben dich per Mail kontaktiert zur schnelleren Problemfindung. Hey Leute und liebes flux Team! Das ihr schon immer cool seid, ist ja allemal bekannt. Aber dass ihr jetzt noch the original Ray Cokes ins Studio holt , ist echt sowas von der Hammer!!! Der Typ, die Mucke, einfach genial.
Ich hoffe diese Show wird es lange lange bei euch geben. Vielen Dank und Hut ab!!! Rock on…. Zwei Sachen sind mir aufgefallen: Bei z. Oder 64 opus ist besser als 64 aac. LG Konstantin. Das hat schonmal super geklappt. MP3 kbits ist sinnlos wenn man schon AAC 64 kbits anbietet. Das hat schon mal super geklappt. Seit dem letzten Update funktioniert die App nicht mehr im Auto. Obwohl die Chromecast Verbindung als aktiv gezeigt wird, spielt die Musik einfach am Handy weiter und nicht auf dem Lautsprecher. Bitte fixen.
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Die war leider immer schon etwas Buggy. Im Juli gibt es eine komplett neue Version, bis dahin bitten wir Dich um Geduld. Die Streams sollten jetzt alle funktionieren. Schau sie dir doch schon mal an. Hallo Wolfgang, nun kommt endlich eine Antwort auf deine Frage: Die neue App ist da! Hey Dogma, welchen Podcast meinst du denn? Dann schauen wir uns das mal an. Ich bin jetzt auf ein iPhone5 S? Alle Versuche zu iOS 11 zu updaten waren leider erfolglos. Besten Dank.
Mehr laden FluxMusic Next Level Radio. Top of the 70s Disco, Punk, Glam Rock. Clubsandwich 3 Tage wach? Klubradio Aus den Berliner Klubs direkt zu dir: Techno Underground Hart raven bitte: Hippie Trippy Garden Pretty Close your eyes. Berlin Beach House Radio Tune in, lift up: Ohrspiel Unsere LieblingsmusikerInnen stellen euch die Songs vor, die sie lieben. Alternative Sie sagen: B-Funk We want the funk!
Yoga Sounds Stretch up and chill out! Oktober at Diana Hagenberg [FluxFM] says: Norman says: November at Hey Norman, die URLs stehen jetzt alle hier bereit: Dominik says: Hey, was muss ich konkret machen um einen der neuen Streams vom PC zu starten? Dezember at Januar at Hi Diana, danke. Schmitz says: LG, Diana. Rainer Ebenho says: No guinea pig says: Sebastian says: Hallo Fluxis, schade, dass ihr nicht mehr in Stuttgart sendet.
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